- #ADOBE PREMIERE PRO CS5 REVIEW UPDATE#
- #ADOBE PREMIERE PRO CS5 REVIEW UPGRADE#
- #ADOBE PREMIERE PRO CS5 REVIEW FULL#
- #ADOBE PREMIERE PRO CS5 REVIEW PORTABLE#
- #ADOBE PREMIERE PRO CS5 REVIEW SOFTWARE#
RAM allocation options work even better in CS5.5 than in CS5!ĬS5.5 is still screaming fast of course, and highly-touted in this release is the improved usage of the Mercury Playback Engine, which takes advantage of compatible video cards (see Adobe's website for a full list) to playback effects-heavy footage, multiple layers, or even 4K in real time without rendering.
#ADOBE PREMIERE PRO CS5 REVIEW SOFTWARE#
While not quite Dynamic Link, the "Edit in Audition" option provides much of that functionality.ĬS5 was the first editing software to fully utilize 64-bit software and all of your RAM (which is even assignable between programs). (It’s not yet truly Dynamically Linked the way After Effects and Encore are, but that’s supposed to be available in a future version.) While new users won’t find it quite as intuitive as the now defunct Soundbooth, it’s still pretty easy to use and it’s much more powerful! Premiere Pro CS5.5 integrates well with it, and you can now send clips to Audition straight out of the Premiere time line. Audition hasn't been included with the Production Premium package for the last few updates, but its return is very welcome. One of the biggest changes in CS5.5, should you opt for the “Production Premium” package (which also includes Photoshop and After Effects, among other software), you'll also get Adobe Audition, which is their high-end sound editing software. In addition you can now setup watch folders that intuitively know that when Media Encoder sends a file to the “YouTube” folder on your desktop, it will use the YouTube settings that you've already specified encode another copy for that purpose. Just like before, you can stack anything you need to encode into a Queue so that you can walk away for lunch. As the numbers can tell you, there really isn't too much new to Encore or OnLocation this time around, but Adobe Media Encoder has received a pretty sleek new visual and stability overhaul. The stand-alone Premiere Pro CS5.5 package includes Adobe Encore CS5.1, Adobe OnLocation CS5.1 and Adobe Media Encoder CS5.5. Merge Clips Is Especially Useful for DSLR shooters.Įverything you need to get from your camera to DVD, Blu-Ray, YouTube and a variety of mobile formats is here. This eliminates the possibility of audio sliding out of sync down the road as you refine your edit.
#ADOBE PREMIERE PRO CS5 REVIEW PORTABLE#
recording your sound separately on a portable recorder rather than straight into the camera, and CS5.5 is the first editing software to acknowledge this right out of the box, now allowing you to “Merge Clips” which essentially creates a new sub-clip once you sync your audio to your video. In the advent of DSLR and RED cameras, more filmmakers have been choosing to work with “dual system sound” i.e. To boot, if you're viewing it on a computer that's having trouble playing back in real-time, you can select half, or quarter resolutions to help you work much more efficiently.Ī list of some of the RED Codecs supported in Premiere Pro CS5.5.
#ADOBE PREMIERE PRO CS5 REVIEW UPDATE#
The latest CS 5.5 update has also expanded native RED support for the RED Rocket, Mysterium X, and any RED codec all the way up to 4K resolution. Premiere, on the other hand, lets you work with your footage in its native format, saving you time and keeping things at their original quality. In terms of working with DSLR footage or even RED, the latest version of Premiere is leaps and bounds ahead of Final Cut 7, which requires you first re-encode your footage into an FCP-friendly codec, which can be pretty time consuming. (From what I understand, Adobe went to even more work to make this changeover simple and painless.) As with previous versions of Premiere, you can even quickly change your keyboard shortcuts over to match Final Cut. You can import individual layers from a Photoshop file, import an After Effects composition and render it out in Premiere, and even import a Premiere Pro sequence into Encore (which is included even with the stand-alone version of Premiere) for easy DVD authoring.Įven if you're more familiar with Final Cut, and this is your first time using Premiere, you'll quickly feel right at home with a familiar layout and set of tools. The integration with Photoshop, Encore and After Effects is excellent. I've always considered Adobe Premiere Pro a relatively easy to use program.
Now, let’s get on with the other new elements! Premiere users are probably familiar with the bright yellow “Media Pending” screen when you first open a big project. The first improvement I noticed over CS5 is faster saving and loading times.
#ADOBE PREMIERE PRO CS5 REVIEW UPGRADE#
While the “.5” should indicate that this isn't the revolution that CS5 was over CS4, Adobe's added a few great new bells and whistles, and knocked the price of an upgrade down from $299 to $179 for those that don't want to wait for the eventual CS6. Adobe Premiere Pro CS5.5 is the latest and greatest video editing software from Adobe, and a paid “half-update” to last year's CS5.
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